In the beginning of the Eighties, Izenzarn embraces more protesting themes: The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon. The protest in Izenzarn’s songs is characterized by the challenge of the dominant speeches: Larbi Imghrane – Tiddokla. This reality is a world of fear, oppression and torture [tawda gh will ugharas fear in the paths , izîtti wuzzal iron bars , ur nemmut ur nsul neither alive nor dead
|Nom:||music hassan ayssar|
|Système d’exploitation:||Windows, Mac, Android, iOS|
|Licence:||Usage Personnel Seulement|
This situation requires the invention of new forms of poetico-musical expressions or the adaptation of the old forms to express at the same time the nostalgia of the origins and the anger towards the abusive policies. Fiche technique de Brahim Ayssar Larbi Imghrane – Nkki Bla Kyyin. Imghrane – Righ Adaqragh Ababa. El Houssine Amrrakchi – Laazz.
hassan ayssar – مرحبابكم امدكال انو امازيغن
Abonnez-vous à la chaîne içi: Bienvenue sur la chaîne Provisound Officielle! In the field of Amazigh Berber music, the experience of the group Izenzarn presents certain characteristics.
The emergence of this group occurred in the general context of the social changes in the ayzsar Morocco. The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon. The rural society settles in the town and is confronted at the same time with the violent process of integration and assimilation and with the social problems resulting from the arbitrary management of country by the makhzenian Mafia.
This situation requires the invention of new forms of poetico-musical ayssarr or the adaptation of the old forms to express at the same time the nostalgia of the origins and the anger towards the abusive policies.
Mixing modern and traditional instruments, these groups interpret songs, inspired by the ancestral tradition or expressing the current sensibilities of a generation coming from the first wave of the rural emigrants.
Founded at the end of the Sixties by a group of young people from newly urbanized families, Izenzarn is among the first Amazigh groups to modernize and radicalize the Amazigh song. After tribulations under different names, a first album is recorded in the year Thus starts the first season of the group, characterized by love songs such as: Wad ittemuddun travelerWa zzin Oh!