TÉLÉCHARGER MUSIC HASSAN AYSSAR GRATUIT

In the beginning of the Eighties, Izenzarn embraces more protesting themes: The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon. The protest in Izenzarn’s songs is characterized by the challenge of the dominant speeches: Larbi Imghrane – Tiddokla. This reality is a world of fear, oppression and torture [tawda gh will ugharas fear in the paths , izîtti wuzzal iron bars , ur nemmut ur nsul neither alive nor dead

Nom: music hassan ayssar
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This situation requires the invention of new forms of poetico-musical expressions or the adaptation of the old forms to express at the same time the nostalgia of the origins and the anger towards the abusive policies. Fiche technique de Brahim Ayssar Larbi Imghrane – Nkki Bla Kyyin. Imghrane – Righ Adaqragh Ababa. El Houssine Amrrakchi – Laazz.

hassan ayssar – مرحبابكم امدكال انو امازيغن

Abonnez-vous à la chaîne içi: Bienvenue sur la chaîne Provisound Officielle! In the field of Amazigh Berber music, the experience of the group Izenzarn presents certain characteristics.

music hassan ayssar

The emergence of this group occurred in the general context of the social changes in the ayzsar Morocco. The emigration rural migration in the Moroccan sociological terminology became an irreversible phenomenon. The rural society settles in the town and is confronted at the same time with the violent process of integration and assimilation and with the social problems resulting from the arbitrary management of country by the makhzenian Mafia.

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This situation requires the invention of new forms of poetico-musical ayssarr or the adaptation of the old forms to express at the same time the nostalgia of the origins and the anger towards the abusive policies.

Mixing modern and traditional instruments, these groups interpret songs, inspired by the ancestral tradition or expressing the current sensibilities of a generation coming from the first wave of the rural emigrants.

music hassan ayssar

Founded at the end of the Sixties by a group of young people from newly urbanized families, Izenzarn is among the first Amazigh groups to modernize and radicalize the Amazigh song. After tribulations under different names, a first album is recorded in the year Thus starts the first season of the group, characterized by love songs such as: Wad ittemuddun travelerWa zzin Oh!

hassan ayssar

Immi Henna My gracious mother In the beginning of the Eighties, Izenzarn embraces more protesting themes: The protest in Izenzarn’s songs is characterized by the challenge of the dominant speeches: Iggut lebrîh idrus may sellan igh islêh Plenty of speeches And yet Nobody listens to the reason and the harsh description of the reality: Nettghwi zun d teghwi tmmurghi gh igenwan ikk d lhif akal We are ayszar grasshoppers taken between the skies and the dry grounds. This reality is a world of fear, oppression and torture [tawda gh will ugharas fear in the pathsizîtti wuzzal iron barsur jassan ur nsul neither alive nor dead After a disagreement, the group had split.

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Two groups dispute the name: Izenzarn Iggut Abdelhadi and Izenzarn Shamkh. But, it is the first one that imposed itself due to the emblematic image of its main singer, Iggut Abdelhadi.

Nga butfala nnuda nili gh ugharas kullu mad ilan awwrz ar fllati ttakln lhaq imDlt uqqariD ig fllas ismkan wanna yad igan izm gin fllasn tidaf.